Performance Research. Volume 23, Issue 2: On Writing & Performance |

Promotes interchange between scholarship and practice in the field of performance and emphasizes on contemporary performance arts within changing cultures.On Writing & Performance: Editorial - Ric Allsopp & Julieanna PrestonTracing the Essay in Contemporary Performing Arts - Jasper DelbeckePerformance as Text. Text as Performance: Love Like Salt, a collaboration between a writer and an artist - Jess RichardsFour castings [artist’s pages] - Julieanna PrestonExcerpts from the Library of Babel. A meditation on writing, electricity and ghosts - Ted HiebertTalking Text and Writing Extemporaneity. Aligning David Antin's talk performance and editorial practices - Ira S. MurfinHow We Talk About The Work Is The Work. Performing critical writing - Theron SchmidtPerforming Academia in Public Space in Turkey - Ozgul AkinciColluding with Darkness - Tru ParahaCrpyt-Poesis. Writing as performance archaeology - Sophie Sleigh-JohnsonIn Praise of Doubt. Bringing sound studies to performance writing - Lynley EdmeadesBlast Theory’s Karen. Exploring the ontology of technotexts - Seda IlterDisrupting the Market in Echoes. Voice, body and technology in poetry and performance by Hannah Weiner and Holly Pester - Mark LeahyThe Feminist Possibility of Reader-as-Performer in Caroline Bergvall’s Goan Atom (1. Doll) - Sydney TranNotes On Caring Labours. Re-collecting performances of noticing in taking note(s)_performing care - Jen Archer-MartinRewriting Participation. Takuya Murakawa’s Everett Ghost Lines - Kai van EikelsAstral Nomads. The way to the future - Yuliya Sorokina, Anar Eshmuratova & Laura MussabekovaTowards Song. Re-shaping spoken lyric - John Hall & David PriorPhantom Scripts. The censor’s archive and the phantom scripts of improvisation - James McLaughlinWRITING upon DIRTY EDGES and CLEAN LINES - Lisa MunnellyAutobiography: me, myself and you - Amaara RaheemThinking Circularly around Performance S/Objects - David HallArts Archives. Introduction to ‘A Digital Essay On Performance’ - Peter Hulton